Brief

Research

Design

Colour & Light in Nature

Colour & Light in Nature

Colour & Light in Nature

Exploration of Perceptual Design of Nature

Exploration of Perceptual Design of Nature

Institution

NID Gandhinagar

Project Type

Open Elective

Project Role

Research | Visual Storyteller

Duration

2 Weeks | 2020

Faculty Mentor

Mr. Shekhar Bhattacharya Ji

Target Audience

Dendrophiles

Before structures defined space, light and colour established boundaries. This 2 week research project at NID Gandhinagar investigated how natural light phenomena shape human perception and emotion, creating a systematic framework that bridges colour psychology theory with visceral, embodied experience.

Through emotional mapping surveys with 50+ participants, 200+ photographs, and time-lapse documentation, the project produced an infographic system and research methodology. The insights continue informing my professional work in interface design and design systems, proving that understanding perceptual forces creates more empathetic design solutions.

Through emotional mapping surveys with 50+ participants, 200+ photographs, and time-lapse documentation, the project produced an infographic system and research methodology. The insights continue informing my professional work in interface design and design systems, proving that understanding perceptual forces creates more empathetic design solutions.

The Problem

The Problem

Design Challange

Design Challange

How can we systematically understand

and document the profound psychological

and physiological impact of natural light

and colour on human spatial perception,

emotion, and well-being?

Context

Context

In architectural and design education, there's often a disconnect between theoretical understanding of colour psychology and experiential, visceral comprehension of how light and colour shape our perception of space.

Students learn about colour theory but rarely engage with the emotional and spatial qualities of natural light phenomena.

Research Questions

Research Questions

1

1

How do different natural light conditions evoke specific emotional responses?

2

2

What role does colour play in our perception of spatial boundaries and hierarchy?

3

3

Can we create a systematic framework to document and communicate these ephemeral experiences?

Opportunities

Opportunities

"Before structures, walls, and ceilings existed, it was light and colour that established boundaries."

By deeply investigating natural light phenomena, we can develop richer, more emotionally resonant design practicesthat connect people to their environments.

Research Methodology

Research Methodology

Research Approach

Research Approach

This project employed a mixed-methods approach combining qualitative observation, quantitative surveys, and creative documentation to capture the multifaceted relationship between light, colour, and human perception.

Phase 1

Phase 1

Theoretical Foundation

Theoretical Foundation

  1. Literature review on colour psychology and environmental perception

  2. Study of spatial perception theories: "One sees the environment not with the eyes but with eyes in the head on the body resting on the ground"

  3. Analysis of how light serves as medium for communication, orientation, and symbolic meaning

  1. Literature review on colour psychology and environmental perception

  2. Study of spatial perception theories: "One sees the environment not with the eyes but with eyes in the head on the body resting on the ground"

  3. Analysis of how light serves as medium for communication, orientation, and symbolic meaning

Phase 2

Phase 2

Experiential Investigation

Experiential Investigation

  1. Conducted at NID Gandhinagar Campus natural settings:

    Visual Sensory Perception Experiments: Group activities to investigate colour and light through direct experience

  2. Photographic Documentation: Systematic capture of various light conditions throughout different times of day

  3. Time-lapse Studies: Multi-hour recordings of light transitions to observe gradual perceptual shifts

  1. Conducted at NID Gandhinagar Campus natural settings:

    Visual Sensory Perception Experiments: Group activities to investigate colour and light through direct experience

  2. Photographic Documentation: Systematic capture of various light conditions throughout different times of day

  3. Time-lapse Studies: Multi-hour recordings of light transitions to observe gradual perceptual shifts

Phase 3

Phase 3

Emotional Mapping Survey

Emotional Mapping Survey

  1. Surveyed diverse participants about emotional responses to captured photographs

  2. Analyzed correlation between specific light/colour conditions and emotional states

  3. Created data visualization mapping emotions to natural light phenomena

  1. Surveyed diverse participants about emotional responses to captured photographs

  2. Analyzed correlation between specific light/colour conditions and emotional states

  3. Created data visualization mapping emotions to natural light phenomena

Key Insights

Key Insights

1

1

Holistic Impact

Holistic Impact

Light and colour affect us psychologically (emotion, feeling, associations) and physiologically

2

2

Spatial Defintion

Spatial Defintion

Light conditions alter our perception of spatial boundaries, proportion, and hierarchy without physical structures

3

3

Emotional Spectrum

Emotional Spectrum

Different light qualities evoke distinct emotions: from lust and confusion in harsh contrasts to serenity and spirituality in soft, diffused light

4

4

Cultural Resonance

Cultural Resonance

Natural phenomena trigger deep cultural and personal associations that transcend objective colour theory

Design Process

Design Process

Stage 1

Stage 1

Observation & Documentation

Observation & Documentation

  1. Established observation protocols across different times of day and weather conditions

  2. Created systematic photographic archive of natural light phenomena

  3. Documented ephemeral moments: rainbow formations, iridescent surfaces, cloud formations, shadow play

Stage 2

Stage 2

Emotional Mapping Framework

Emotional Mapping Framework

Developed infographic system categorizing emotional responses:

  1. Lust - Intense, saturated warm tones in direct sunlight

  2. Confusion - Mixed light conditions with competing focal points

  3. Sadness - Cool, muted tones with minimal contrast

  4. Envy - Deep greens in shadowed natural settings

  5. Serenity - Soft blues and whites in diffused light

  6. Spirituality - Ethereal light breaking through clouds

  7. Purity - Pristine white light in morning conditions

Stage 3

Stage 3

Emotional Mapping Framework

Emotional Mapping Framework

Transformed visual observations into Hindi poetry, creating synesthetic expressions that capture the ineffable qualities of light:

  1. पठार (Plateau): Poem exploring the resilience and steadfastness of rock formations in harsh sunlight, metaphorically representing endurance and hidden vulnerability.

  2. माया (Illusion): Verses capturing the ephemeral, ever-changing nature of light playing across surfaces, questioning the true nature of perception.

  3. बािरश (Rains): Describing how rainwater transforms light perception, creating connections between earth and sky through refraction and reflection.

  4. धूप छाँव (Sun & Shade): Celebrating the interplay between light and shadow, the dance of dappled light through foliage creating perpetual motion in stillness.

Stage 4

Stage 4

Timelapse Integration

Timelapse Integration

  1. Captured multi-hour time-lapses showing light transitions

  2. Edited sequences to emphasize perceptual shifts

  3. Overlaid poetic interpretations to create multimedia narratives

  4. Published "Emotions of Nature" video series on YouTube

Solutions & Outcomes

Solutions & Outcomes

1

1

Perceptual Research Framework

Perceptual Research Framework

Created a systematic approach for documenting and analyzing natural light phenomena that can be applied to future design projects. This framework bridges analytical observation with emotional interpretation.

2

2

Emotional Mapping Infographic

Emotional Mapping Infographic

Developed visual tool correlating specific light conditions with emotional responses based on survey data. This serves as a reference for designers considering psychological impact of lighting design.

3

3

Multimedia Documentation

Multimedia Documentation

Produced time-lapse videos with poetic overlays that communicate the temporal dimension of light perception, something static photography cannot capture. These videos serve as educational tools for understanding dynamic environmental qualities.

4

4

Cross-Cultural Expression

Cross-Cultural Expression

Demonstrated how visual phenomena can be translated across sensory modalities (visual to linguistic/poetic), enriching design communication beyond conventional presentation methods.

5

5

Educational Research

Educational Research

Project outcomes have been used in subsequent NID coursework as examples of experiential research methodology and alternative presentation formats.

Impact & Reflections

Impact & Reflections

Personal Impact

Personal Impact

This project fundamentally shifted my approach to design research by emphasizing experiential, embodied investigation over purely analytical methods. It reinforced that great design emerges from deep observation and empathetic connection with environment.

This project fundamentally shifted my approach to design research by emphasizing experiential, embodied investigation over purely analytical methods. It reinforced that great design emerges from deep observation and empathetic connection with environment.

Methodological Contribution

Methodological Contribution

The combination of systematic survey, artistic documentation, and poetic interpretation offers a replicable model for investigating ephemeral, subjective design phenomena that resist conventional research methods.

The combination of systematic survey, artistic documentation, and poetic interpretation offers a replicable model for investigating ephemeral, subjective design phenomena that resist conventional research methods.

Design Philosophy

Design Philosophy

"Space remains in oblivion without light. Light's shadows & shades, its different sources, its opacity, transparency, translucency & conditions of reflection & refraction intertwine to define or redefine space."

"Space remains in oblivion without light. Light's shadows & shades, its different sources, its opacity, transparency, translucency & conditions of reflection & refraction intertwine to define or redefine space."

This project taught me that:

  1. Design is as much about perception as physical form

  2. Emotional resonance can be systematically studied without losing its essence

  3. Cross-disciplinary approaches (visual art, poetry, data analysis) yield richer insights

  4. Nature remains the ultimate teacher of colour, light, and spatial design

This project taught me that:

  1. Design is as much about perception as physical form

  2. Emotional resonance can be systematically studied without losing its essence

  3. Cross-disciplinary approaches (visual art, poetry, data analysis) yield richer insights

  4. Nature remains the ultimate teacher of colour, light, and spatial design

Future Applications

Future Applications

The insights from this research continue to inform my professional work in:

The insights from this research continue to inform my professional work in:

Digital Interface Design

Digital Interface Design

Understanding how colour and visual hierarchy evoke emotional responses

Understanding how colour and visual hierarchy evoke emotional responses

Spatial UX

Spatial UX

Considering how users perceive and navigate digital "spaces"

Considering how users perceive and navigate digital "spaces"

Design Systems

Design Systems

Creating colour palettes and visual languages that communicate meaning beyond aesthetics

Creating colour palettes and visual languages that communicate meaning beyond aesthetics

User Research

User Research

Employing experiential, observation-based methodologies alongside traditional UX methods

Employing experiential, observation-based methodologies alongside traditional UX methods

Project Documentation

Project Documentation

1

1

Research Artifacts

Research Artifacts

  1. 200+ photographs documenting various light conditions

  2. Survey data from 50+ participants mapping emotional responses

  3. 4 time-lapse videos (5-8 hours compressed to 2-3 minutes)

  4. 4 original Hindi poems with English translations

  5. Emotional mapping infographic system

  6. Research presentation for NID Open Elective showcase

2

2

Recogniton

Recogniton

This project exemplifies NID's philosophy of design education that values experiential learning, cultural rootedness, and interdisciplinary exploration.

Perceptual research framework on colour and light psychology

Perceptual research framework on colour and light psychology

Emotional

mapping

infographic system

Emotional mapping

infographic system

Time-lapse documentation with poetic interpretations

Time-lapse documentation with poetic interpretations

Visual sensory perception

experiments

Visual sensory perception

experiments

Survey-based emotion analysis across natural environments

Survey-based emotion analysis across natural environments

Key Learnings

Key Learnings

1

1

What worked

What worked

  1. Mixed-methods approach captured both quantitative patterns and qualitative nuance

  2. Poetic translation added unexpected emotional depth to technical research

  3. Campus environment provided accessible yet rich research setting

  4. Time-lapses revealed perceptual shifts invisible to static observation

2

2

Challenges

Challenges

  1. Capturing ephemeral moments required patience and timing

  2. Balancing scientific rigor with artistic interpretation

  3. Translating visual/emotional experiences into communicable frameworks

  4. Weather dependence limited some planned observations

3

3

If I were to do this again

If I were to do this again

  1. Extend duration to capture full seasonal variations

  2. Include more diverse environments (urban, industrial, domestic)

  3. Develop interactive installation to make findings experiential for audiences

  4. Collaborate with environmental psychologists for deeper theoretical grounding

Color & Light in Nature

Color & Light in Nature

The Conclusion

The Conclusion

"Before structures, walls, and ceilings existed, it was light and colour that established boundaries."

This project revealed that the most fundamental aspects of design, how we perceive space, how we feel in environments, how we connect with our surroundings, are orchestrated by the ephemeral dance of light and colour.

Whether designing digital interfaces, physical spaces, or communication systems, understanding these primal perceptual forces makes us better, more empathetic designers.The integration of analytical research, artistic expression, and cultural storytelling demonstrated that design research need not choose between rigor and resonance, the most compelling insights emerge when we engage all dimensions of human experience.

Wanna work

together?

Liked this project!

Feel free to reach out,

+91 9453 558721

|

krishnan.lalitya@gmail.com

|

Designed with

By Lalitya Krishnan

|

© 2025 All rights reserved

Liked this project!

Wanna work

together?

Feel free to reach out,

+91 9453 558721

krishnan.lalitya@gmail.com

Designed with

By Lalitya Krishnan

© 2025 All rights reserved